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Risible: Laughter without Reason and the Reproduction of Sound

Strand Campus, London

06NovBook cover for Delia Casadei's 'Risible: Laughter without Reason and the Reproduction of Sound'.
Book cover for Delia Casadei's 'Risible: Laughter without Reason and the Reproduction of Sound'
Part of The Colloquium Series - Department of Music

 

Speaker: Delia Casadei

This talk offers a broad sweep introduction to Delia Casadei’s recent book, published open access by University of California Press and available for free download here.

Risible explores the forgotten history of laughter, from ancient Greece to the sitcom stages of Hollywood. Delia Casadei approaches laughter not as a phenomenon that can be accounted for by studies of humor and theories of comedy but rather as a technique of the human body, knowable by its repetitive, clipped, and proliferating sound and its enduring links to the capacity for language and reproduction. This buried genealogy of laughter re-emerges with explosive force thanks to the binding of laughter to sound reproduction technology in the late nineteenth century. Analyzing case studies ranging from the early global market for phonographic laughing songs to the McCarthy-era rise of prerecorded laugh tracks, Casadei convincingly demonstrates how laughter was central to the twentieth century’s development of the very category of sound as not-quite-human, unintelligible, reproductive, reproducible, and contagious.

Delia Casadei is a scholar, writer, and translator based in Italy and the UK. Her articles on the relationship of language, voice, ideology, and history in twentieth-century music and sound practices have been published by Cambridge Opera JournalThe Opera QuarterlyJournal of the Royal Musical Association, Representations, and most recently Sound Stage Screen, in an article co-authored with Marina Romani on ’The Acoustemology of the Witch’.

At this event

Gavin Williams

Lecturer in Music


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