King's College London

Last night, members from across the King’s community, including academics from the social sciences, public policy and sustainable technologies, as well as students, artists and activists attended the launch of CASCADE INQUIRY, the ambitious new initiative from Superflux imagining future worlds where positive climate action has been taken.

With the support of King’s Culture, Superflux has been artist-in-residence at the Inigo Rooms since Autumn 2022, engaging with King’s climate researchers across fields; mapping entanglements between climate and war, wildfires, policy, economy, philosophy, strategy, literature and neuroscience.

To mark the public launch of the project - which will continue to foster collaboration between experts at King’s and the wider community, as well as build on Superflux’s distinctive speculative and experiential design approach - the evening saw interactive discussions surface questions, insights and possibilities from across the audience, capturing a variety of experiences and perspectives.

‘It has been a struggle to get our imaginations to affect any kinds of policy’ said Anab Jain, co-founder and director of Superflux, in an opening presentation, inviting the room to think about the powerful potential for individual agency and collective action in translating future uncertainty into positive present-day choices.

Following a presentation, a generative discussion led by Emily Kasriel, Head of Special Projects at the BBC World Service and Deep Listening pioneer, explored the opportunities ahead for positive collective action in affecting impactful change.

The wide-ranging discussion across the evening covered topics including dismantling colonial attitudes to imagining climate-positive futures, the different ways society might approach bringing young people’s voices and imaginations into the process of collective action, the power of collective remembrance, and the challenges surrounding affecting policy change. Mark Pelling, Professor of Risk and Disaster Reduction, University College London, asked the room ‘Who owns the right to speak about the future, to imagine the future? Who translates that into policy? ...There is work to be done on staking a claim on the future’. 

The CASCADE INQUIRY conversation also explored the ways art and storytelling can be used to empower individuals and promote agency, as well as help communities envisage their desired climate-positive future by shifting the focus from issue-based to action-based storytelling. 

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