In my undergraduate studies, I majored in sociology and researched sexual harassment problems in the Japanese theatre industry. Outside of academia, I participated in musical theatre performances, which deepened my interest in the field. During my exchange program in the UK, I studied Drama and learnt that gender inequality is not only embedded in industry structures but also in the content of performances themselves. This led me to explore how theatre can empower minorities in this course.
After learning about several works by previous performers through workshops, and inspired by task-based performance, I created a performance in which I folded origami and put the pieces on my body. As an international student, I often feel that I am trying to perform an “ideal Japanese” — such as being knowledgeable about anime or representing "authentic" Japanese culture. Through the repetitive task of folding and wearing origami, I expressed the process of internalising the expectations. After the performance, I had insightful discussions with my classmates and flatmates, debating where these expectations stemmed from.
What makes this module unique is that you can learn that performance cannot just be the result of research, it can be a way of research. It offers a completely different research method, distinct from secondary research or quantitative or qualitative research. Moreover, you can practice this new way of researching, so you can spark dialogue and deepen your thinking through real-time feedback and interaction.
I highly recommend this module because creating and presenting a performance gives you a sense of achievement that you can’t experience in other classes. Even if you have not created performance, learning from our amazing teacher, Ella, and exploring works of leading performers help you realize that making a performance isn’t as difficult as it seems. Sharing your thoughts with the audience through performance is a precious experience!