Biography
Olga is a Dramaturg and a Dramatic Translator. She holds a B.A. (Hons.) in Performing Arts by the ESAD (University of Valencia), a B.A. (Hons.) in Drama (University of Manchester), an MA in Performance and Culture (Goldsmiths, University of London), and a PhD in Spanish Cultural Studies (King’s College London). Her professional career encompasses theatre research, American drama programs, teaching, drama translations and collaborations as a dramaturg and as a theatre practitioner. In the UK she was Movement Director for the Manchester Youth Theatre; a main collaborator for the I Festival de Teatro Español in Manchester (OLA); Mentor Dramaturg for emerging Spanish playwrights at the Colours of the Chameleon Festival at the Traverse Theatre; Curator of the new writing project SLICES, directing eight short new plays for the East End Collaboration Festival; and run for two academic years the Drama Programme at Marymount College (USA) in London for American undergraduates. Her translation work encompasses the catalogue for the Spanish Film Festival !VIVA! at Manchester’s Cornerhouse; García Lorca’s The House of Bernarda Alba for Shared Experiences in co-production with the Royal Court, García Lorca’s Yerma for the Theatre of Chipping Norton and José Martín Recuerda’s The Inmates at the Convent of Saint Mary Egyptian for Manchester University/ Manchester Greenroom. Dr Olga Celda Real submitted her thesis 'An Ignored Dramatic Genre: the Contribution of the Sainet to the Making of Valencian Cultural Capital (1845-1939)' to King's College London in 2018.
Olga was granted the Trevor J. Dadson J. Publication Enhancement Fund Award in 2021 by the Trustees of the Association of Hispanists of Great Britain and Ireland (AHGBI) to help with the completion of her book, The Valencian Sainet: Drama and Socio-Cultural Identity (1845-1939), published by Peter Lang (2023). She was awarded a British Academy / Leverhulme Research Grants Award 2022-2023 for her proposal: The Rumbling of Dissent Laughter: Francoist State Censorship and the Agrupació de Autors Valensiáns. The resulting monograph will deliver a first-time dramaturgical analysis of Valencian sainets during the early years of Francisco Franco’s dictatorship in Spain and the cultural activity of a set group of Valencian authors belonging to this literary association.
Olga is a member of the Association of Hispanists of Great Britain and Ireland (AHGBI), the Academician of the Real Acadèmia de Cultura Valenciana (RACV) in London, Honorary Member of the Patronage of the Real Acadèmia de Cultura Valenciana (RACV), member of the Colectiu Fullana de Professors d'Universitat i Doctors in Valencia (Spain) and academic collaborator for the research journal ITAMAR (University of Valencia, Spain).
Research Interests
- The Valencian Sainet/ El Sainet valencià/ El Sainete Valenciano
- Valencian socio-cultural identity
- Spanish theatre and drama censorship during the early decades (1939- 1959) of Franco’s dictatorship
- Spanish inner exile playwrights
- Performativity and theatres as social space
- Theatre translation and dramaturgy
- Interdisciplinary perspectives in theatre and dance analysis
Conferences and Presentations
- Real Acadèmia de Cultura Valenciana (1915), Valencia (Spain)
Presentation of thesis (November 2019): 'An ignored dramatic genre: the contribution of the sainet to the making of Valencian cultural capital (1845-1939)'
- 66th Annual Conference of the Association of Hispanists of Great Britain and Ireland (March 2021)
Paper: ‘Socio-Cultural Identity: Drama, Polyglossia and Performativity in the Valencian Sainet (1845-1939)’ as part of section ‘Narratives and Identities’.
Linked websites and blogs
Selected Publications
Authored book
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Celda Real, Olga (2023).The Valencian Sainet: Drama and Socio-Cultural Identity (1845-1939). Oxford, Bern, Berlin, Bruxelles, New York, Wien: Peter Lang.
- Celda Real, Olga (1992). Palabras de desamor en un bar de provincias. El bosque de Birnam. Taller de poesía. València: Palau de la Música. Ajuntament de València. Generalitat Valenciana.
Journal Article
- Celda Real, Olga. (2024). The Nature of Love: Corporeality, Drama and the Musical Poetics of the Female Human Voice in Monica Maffía's La Anémona y el jabalí. ITAMAR REVISTA DE INVESTIGACIÓN MUSICAL: TERRITORIOS PARA EL ARTE. Issue N ̊ 10.(Valencia: Universitat de València): 39-58
- Celda Real, Olga. (2023). Feminist Discourse and American Identity in Modern Dance: Martha Graham and the Social Significance of the Female Dancing Body.ITAMAR REVISTA DE INVESTIGACIÓN MUSICAL: TERRITORIOS PARA EL ARTE. Issue N ̊ 9.(Valencia: Universitat de València): 20-35
- Celda Real, Olga. (2022). Pina Bausch and the Dancing Body: Social Constructionism and Identity in Nelken, The Rite of Spring and Kontakthof. REVISTA DE INVESTIGACIÓN MUSICAL: TERRITORIOS PARA EL ARTE. Issue N ̊ 8.(Valencia: Universitat de València): 22-35
- Celda Real, Olga. (2019). Beyond the Making of Sounds: An English Requiem and the Role of Choral Music in a Changing World. REVISTA DE INVESTIGACIÓN MUSICAL: TERRITORIOS PARA EL ARTE. Issue N ̊ 5.(Valencia: Universitat de València): 436 -445
- Celda Real, Olga. (2015). Reserved by God: The Role of the Nacionalcatolicismo and Falangistas Songs in the Building of a Censored Identity in the Spanish Female Body. REVISTA DE INVESTIGACIÓN MUSICAL: TERRITORIOS PARA EL ARTE. Issue N ̊ 4. (Valencia: Universitat de València): 387-405.
- Celda Real, Olga. (2010). Choreographing Social Manifestos: Dance-Theatre, Body, Identity and Semiotics in Ananda Dansa’s ‘Crónica Civil V-36/39’ and ‘Toda una Vida’. REVISTA DE INVESTIGACIÓN MUSICAL: TERRITORIOS PARA EL ARTE. Issue N ̊ 3. (Valencia: Universitat de València and Rivera Mota Editores: 293- 309.
- Celda Real, Olga.(2009). Delineating a Defiant Identity: Space, Body, Audience and Música Ruido in La Fura dels Baus’s First Trilogy (1983-1989).REVISTA DE INVESTIGACIÓN MUSICAL: TERRITORIOS PARA EL ARTE. Issue N ̊ 2. (Valencia: Universitat de València and Rivera Mota Editores): 307 -32.