Module description
This module explores a selected topic in music and/or musical culture(s) during the long nineteenth century, examining a central movement, theme, place, institution, composer or other musical figure; and the social and aesthetic issues with which they engaged.
This year, we’ll be exploring the history, production and consumption of Western art music during the 19th century from the perspective of its relationship to contemporary material culture. Instead of starting from the supposedly intangible, ephemeral sounds of music-making long ago – and music histories dominated as a result by composers and performers – we’ll take a more grass-roots approach, investigating 19th-century musical life in the West from the ground up. From new infrastructural systems such as transport networks to the explosion of the printed press, the growth of the high capitalist market and radical technological innovation, the nineteenth century was a period of enormous change. This module examines music’s role in the century’s unprecedentedly material world. We’ll scrutinise a series of musical “objects” (both musical works and other relevant materials and artefacts) to explore the impact of material culture on nineteenth-century music-making, unearthing its significance for composers, performers, critics, audiences – and for musical works themselves. Above all, we’ll ask how material phenomena enabled the emergence of new understandings of music: understandings which have largely persisted today.
Assessment details
- 1500 Word Essay (40%)
- 2500 Word Essay (60%)
Educational aims & objectives
To provide a sophisticated understanding of central issues in music and musical culture during the long nineteenth century, in relation to social, political and artistic changes in the period
Learning outcomes
By the end of the module, students will be able to demonstrate intellectual, transferable and practical skills appropriate to a Level 6 module and in particular will be able to demonstrate:
- A sophisticated, in-depth understanding of an important aspect of musical culture during the long nineteenth century
- A critical knowledge of and ability to evaluate the connections between that aspect of musical culture and contemporary political, social and artistic life
- The ability to conduct independent research in 19th-century music