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Theories and Realities of Wagner’s Music theatre

Key information

  • Module code:

    6AAMS388

  • Level:

    6

  • Semester:

      Autumn

  • Credit value:

    15

Module description

This module will explore Wagner’s operas and ideas from the perspective of performance and reception in the nineteenth century and after. In the first part of the module, we will engage with Tristan und Isolde, Die Meistersinger, Der Ring des Nibelungen and Parsifal, exploring elements of these works in connection with Wagner’s theories of opera reform, and his project to construct a dedicated theatre in Bayreuth. In part two, we will address a series of junctures in the history of Wagner’s fraught legacy: from the political ideologies of the early twentieth century to developments in film and new media up to the present day. We will evaluate recent trends in Wagner studies, alongside relevant primary sources and influential works of criticism. Through an in-depth focus on Wagner’s reception across different historical periods and genres, we will encounter wider themes of operatic production and spectatorship; music and politics; and the place of music in multimedia.

Assessment details

One 2000 word essay (40%) and one 3000 word essay (60%)

Department

Module description disclaimer

King’s College London reviews the modules offered on a regular basis to provide up-to-date, innovative and relevant programmes of study. Therefore, modules offered may change. We suggest you keep an eye on the course finder on our website for updates.

Please note that modules with a practical component will be capped due to educational requirements, which may mean that we cannot guarantee a place to all students who elect to study this module.

Please note that the module descriptions above are related to the current academic year and are subject to change.